There are many ways of weaving and many types of looms. Last week in one class, upright frame looms were used to teach the ways of Navajo weaving, and in another class, students learned the basics of weaving on a table loom. Although geared for beginners, each class could be used as a refresher, too. In the Navajo Weaving Techniques class taught by Betty Glynn Carlson, the looms are warped with one continuous warp and authentic Navajo wool yarns are used to create the designs. There are no mechanical parts involved in Navajo weaving, it’s just the wool placed in the warp and tamped down with a comb-type beater in the hands of the weaver. Betty has offered Navajo weaving […]
September days are here
The first several days of September have certainly mirrored the lines from the poem by the same name, capturing the “.. summer’s best of weather, And autumn’s best of cheer.” Other bests of September have been happening in our recent classes, including Splint-Woven Basketry, Navajo Weaving and Metalwork Jewelry Boot Camp. Basketmakers used their five days in the studio to full advantage, creating baskets of all shapes, sizes, colors and patterns. Add to that the new and renewed friendships, the many offers of helping hands with each others’ baskets and simply, but most importantly, spending treasured time together. Putting most of the week’s worth of baskets in one photo makes for quite an impressive display! From preparing the Navajo loom […]
Two by twos
Weaving two by twos refers to the foundation of weaving pairs at the start (and end) of a Navajo textile, which is characterized as a child taking their first steps. With our most recent weaving classes, Navajo Weaving with Betty Glynn Carlson and Beginning Weaving with Nancy Adams and Susan Johnson as her assistant, weavers took those first steps and beyond. Using authentic Navajo patterns and wool yarns, students new to Navajo weaving worked on a small piece while those who had works in progress or wanted to explore techniques they had not tried before had the opportunity to do so with Betty’s guidance. Warping the loom as well as weaving isn’t (or shouldn’t be) measured in hours, but in […]
In contrast
There’s been a definite contrast this past week between Kay Rashka’s Metalwork Jewelry Boot Camp with students using hammers, drills, motorized hand tools, torches and all sorts of shiny and possibly even sharp-edged components for fabricating jewelry and Betty Glynn Carlson’s Navajo Rug Weaving class where students quietly and reflectively place each strand of authentic wool yarn within the warp. Come along for a tour! With Kay Rashka’s instruction, each student leaves with a collection of interesting, personalized and textured art jewelry. Navajo Weaving in itself is a journey, using unbroken warp threads and meaningful designs woven out of (often) specific naturally dyed wool. To finish one piece in this 5-day class is a real accomplishment. Some of the students had started a rug in a prior year […]
Animal, Vegetable and Mineral…?
I guess you could classify the previous three classes that way with Navajo Weaving taught by Betty Glynn Carlson representing “animal” for the authentic wool yarns used, Natural Fiber Basketry with Jo Campbell-Amsler as “vegetable” for the willow, grapevine, Siberian Iris and Daylily leaves incorporated in all shapes of baskets and the Metalwork Jewelry Boot Camp with Kay Rashka as “mineral” for the sheets of copper, brass and silver as base materials. Some students brought back Navajo rugs started in (or finished from) a previous class and others started their first pieces. The steps along the way to a finished rug involve patience, thoughtfulness and perseverance. The many varieties of willow, barks, leaves and vines gathered here on the Island or brought by […]
